Behind the Book: Lanterns in the Sky by Pagan Malcolm

This book by Pagan has been on my To Buy list for way too long. Here’s the Trailer so you can add it to your list (or basket) too:

You launched your book and it became a best seller. When did you start marketing it?

Before it was even signed with the publisher, if I’m being honest. I was already sharing teasers and talking about it because I knew people had to be excited by the get-go. I haven’t really stopped marketing since and I probably never will—though now, I tend to market the series as a whole because I have more books out to catch reader interest.

This book is traditionally published. How did you get signed – can you share your pitch?

I got signed with The Parliament House from Twitter’s #PitMad event in December 2017. This was the Tweet I pitched that got their attention:

You share what you have learned to support fellow authors. Can you tell us about some of your courses and coaching?

I sure can.

A great starting point for new authors is my membership community, The Authorpreneur Kingdom, which is where I do quarterly trainings (and you get access to a vault of past masterclasses on topics ranging from book marketing to publishing to mindset work). We also do weekly coaching calls in there and the authors find it very helpful to stay accountable each month.

I also have two courses that I launch twice a year.

Storyteller Academy is my course helping authors to write their novel and build success habits for full-time authorship, and Storyseller Academy helps authors with book launching, marketing and brand building. Both are self-paced, come with a range of bonus resources, and have direct access to me via a group community.

Please share a snippet or teaser from Lanterns in the Sky?

“Hey! Hey, wake up!”

Someone was shaking me. When I first opened my eyes, everything blurred together. I blinked to adjust them to the night sky. I could hear crickets chirping somewhere. Hovering over me was the face of a boy with emerald eyes and brown hair. I stared at him — my mind was scrambled, and pain throbbed in my temple. Between that and my momentary amnesia, I couldn’t really concentrate on much else.

“Are you okay?” he asked in a smooth voice, his brow furrowed in concern. “Do you need me to call someone?”

I slowly sat up, which prompted the pounding in my head to intensify. I hissed and raised a hand to my forehead.

“What… happened?” I groaned, trying to recall the moments before I’d blacked out.
He rocked back on his feet to give me some space. Still crouching, he folded his arms as he said, “You tell me.”

I shook my head, thinking hard. It came back to me in pieces. I remembered the dread I had felt … the light…

“I was hit… I think,” I told him as my memories slowly came together, but I wasn’t sure. My head swam and the throbbing pain in my head was distracting me.

“By who?” he asked, furrowing his brow.
I shook my head again. It sounded stupid, but I was certain of what I saw.

“It wasn’t a who… it was a light.”

The boy frowned, his mouth twisting. “A light?”

What did you enjoy most about writing your fantasy novel?

Wrecking havoc in my characters lives! Mwahahaha!

But also, building the plot. That was a lot of fun too.

What was hardest about writing your fantasy novel?

Making sure the plot was consistent, fixing plot holes and reducing the amount of side plots from my first draft back in 2011. It took me 18 drafts to get this story right.

What inspired you to write Lanterns in the Sky?

Well, it actually started as a psychological horror novel—but then I realised that was not for me. It was only when a friend convinced me to keep writing because she liked the concept of the stars being lanterns in the sky that I was able to adapt some of my newer, fantasy ideas into the story (e.g. the princesses, the magic, etc.) and kind of did a 180 with the story to bring it to life.

Which novel do you love and wish you wrote?

Honestly, none of them. I love so many books and there are definitely writers I wish I could write as well as, but I also love my own writing style and my own stories. Their stories are theirs and that’s why I could never come up with their ideas.

Tell me about a typical day in the life of author Pagan Malcom?

On most days, I’m actually working on my business, Paperback Kingdom—but I sprinkle in time to market my book, send out a few emails, and do the authorly stuff that needs doing. On a true writing day though, I can be at the kitchen table (which is where I enjoy writing most lately) for hours on end. I spend a lot of weekends like this with cups of tea and some kind of snack.

Where can we find out more about your coaching, courses and buy your books

For my books, check out psmalcolm.com (you can also find the membership site there—but you have to be a Patreon supporter of mine for access).

For my coaching and courses, check out paperbackkingdom.com.

[kofi]

If you enjoyed this, you will like:

Behind the Book: Stuck on Vacation with Ryan Rupert by Pagan Malcolm

Behind the Book: Soul Bearer by Elexis Bell

Behind the Book: Sorceress of Truth by J D Groom

Book Review: The Lost Prince by Julie Kagawa

#BoostMyBio for Pitch Wars 2019

Pitch Wars 2019

Are you wondering, “What is Ally up to now?” Well, let me explain…

Pitch Wars is a competition where the prize is a mentor. I’ve never taken part before but this year I’m going to do it.

I only get to choose four mentors to submit to and the mentors can only pick one mentee from all their submissions. Wish me luck!

To read other #boostmybio mentee posts, click here.

To read the mentors profiles, click here.

About me

I’m a natural redhead. It’s the first thing people notice about me. I married my first love in Mauritius, we have a son, a daughter and two cats. I’ve just returned to work from maternity leave but I still find time to write and drink copious amounts of tea.

I have wanted to be an author since before I can remember and been chasing the dream ever since. My favourite genre is YA Contemporary Fantasy/Paranormal Romance. I love making my characters everyday problems a little more complicated with a touch of magic and fantasy. I’ve also written a picture book and my short romance story was published in an anthology.

This year I have discovered the #writingcommunity on Instagram and loving it! I blog about my writing journey and share tips along the way to help my fellow writers. I also post book reviews.

My novel is Jewel of the Sea

#YA #PR #ContemporaryFantasy

TEEN WOLF but mermaids in the UK.

Love struck, misfit, redhead discovers she’s a mermaid. With her emotions connected to her dormant weather manipulation powers, falling in love is deadly dangerous!

https://twitter.com/Fae7/status/1169639368857935873

Jewel of the Sea was inspired by Rachel Vincent’s werecat shifters series.  I found myself creating my own world of shifters but aimed at a younger audience and put my own spin on things. 

It would appeal to fans of The Immortal Instruments, Vampire Academy and Wolves of Mercy Falls.

Jewel of the Sea is based in my hometown, Felixstowe, which has enabled me to recreate the coastal town in a vivid and realistic light.  My husband was my first love and best friend, so a lot of the romance in this story was inspired by my personal life. Jewel of the Sea addresses many issues teenagers experience at school but the fantasy elements enable them to escape into a magical world.

The following list is a sample of what to look forward to in Jewel of the Sea:

  • mermaids
  • shape shifters
  • fairies
  • storm summoning
  • weather manipulation
  • spell casting
  • An epic battle
  • Romance
  • friends to lovers
  • enemies to lovers
  • love triangle
  • coming of age
  • first kisses

What I’m hoping for

I’ve lost count of the amount of edits and years spent working on Jewel of the Sea. I’m constantly seeking feedback from others but what I need is a professional pair of eyes. If I had the money, I would hire an editor! I truly believe they are worth their weigh of gold and imagine you can learn a lot from them about your writing. Please tell me how I can make my novel better?

This year, I realised I’ve been neglecting my query/pitch. I feel so stupid for not twigging sooner how important it is. I have been working hard on fixing it but have no idea what else I need to do. Please help me make my first impression irresistible?

I am sure there is so much more I need to know that I haven’t thought of because I don’t even have an inkling. What am I missing?

And, I hope this doesn’t sound sappy but after all our hard work together I would love to become lifelong friends.

If you enjoyed this post, you may like:

About Me

Have you finished your novel? What is next?

How was #PitMad September 2019?

What to watch if you love mermaids!

Click My Link Tree
To Connect On Social Media
Click My Link Tree
To Connect On Social Media

How was #PitMad September 2019?

As always, this Pitch Wars event isn’t simply about grabbing the attention of your dream agent or publisher. It is also about connecting with the writing community.

Taking part, I gained more followers. People retweeted my pitch to show support and help it get noticed and some even commented to let me know they liked my idea which is really encouraging. Further down you will find a collection Tweets that sum out the event for me.

The Manuscript Wishlist

One Tweet that was incredibly useful was by @RebeccaFKenney1 who told me about #MSWL. I never knew that agents tweet about the manuscripts they are wishing for. A quick search for “#MSWL Mermaid” sorted by most recent, brought up the two agents she had sign posted me to.

I have now discovered that on 24 September 2019 is #MSWL Day when agents will tweet their wish list to help authors find their match. I shall be adding that to my Literary Calendar which you can access to discover useful literary dates.

How successful was I?

  • Tinsel Tiger (picture book) – 4 likes (none were agents or publishers)
  • Jewel of the Sea (YA fiction) – 5 likes (three by publishers)

I will research these publishers to see if I feel they are a good fit for me before submitting.  On initial inspection, one of them really appeals to me due to their ethical values.

⚡️ “#PitMad September 2019”

If you enjoyed this, you will like:

Writers beware! Know who you are querying.

#PitMad June 2019 Summary

#PitMad – December 2018

Seven tips for querying agents

Click My Link Tree
To Connect On Social Media
Click My Link Tree
To Connect On Social Media

Writers beware! Know who you are querying.

Sadly, there will always be con artists looking to prey on the vulnerable. It is easy to manipulate someone if you promise you can make their dreams come true.

When I started modelling I was aware of rogue agencies that offer to build you a portfolio for a charge. They sell it as your big break and that it will open doors for you into the industry but the truth is it is just a photography package. There is nothing wrong in paying a photographer if you want photos, but don’t be fooled into thinking it will guarantee you work.

If an agency really likes you, they won’t charge you for the privilege. You should never have to pay your employer for the opportunity to work. Especially with no guarantee of any return.

Sadly, writers don’t always realise this. With so many barriers to the publishing industry they are relieved when they finally get an interested agent that sometimes they fail to check them out. They are so happy they naively agree to costs their agent tells them are necessary to start the publishing process. This is untrue. The only time you would pay up front to publish is if you wish to self-publish or if you have chosen to use a vanity publisher.

Travis Heerman

Here is a story by Travis Heerman about his early experience of the industry. He was conned out of a large sum of money in pursuit of his dream, by a scam that seemed to never end. Even worse, he was not alone. Cautionary Tales for writers – part 1.

Travis shared his story in the hopes of saving other hopeful writers from the same heartache and stress he went through.

I would like to highlight that one of the defendants (found guilty in court) of this scam was a man named Don Phelan. Why this is interesting will be raised later.

September 2018

During the September 2018 #PitMad event I got a request by Burchette and Ferguson, however, I chose not to follow up and send them my MS as I was put off by their website and here is why. They had only existed for three weeks and had no details about who worked at their company or their background.

I started drafting this article in February 2019 (screenshot below) and checked out their website again only to be greeted by the a message informing me that they are preparing for their big launch and the site had been down since October 2018!

However, I checked the site again today (almost a year later), 1 September 2019, and the site no longer exists!

With Pitch Wars #PitMad (September 2019) in just a few days, I felt it was a good time to remind people that just because someone likes your pitch, doesn’t mean you have to send it to them. This company was ‘preparing for a big launch’ a month afterwards that I don’t think every happened, and vanished in less than a year.

February 2019

This year I have been connecting more with other writers on Instagram. It’s been great for motivation, support and tips. One of the connections is The Writers Advisor.

On 20 February, they posted about a Literacy Agency actively seeking submissions. Here is the post.

It wasn’t clear to me at the time that they are a Literary Agency. I thought it was a post they were sharing. I said I would check it out later.

Later on, I visited the site but could not find any details about who works there or any authors already signed or books published. So, I returned to Instagram to comment publically asking if they knew anything about which agents work there.

They responded with a private message:

It might be a coincidence and a completely different Don Phelan to the one in the publishing fraud case but with the lack of further information I decided to pass on sending him/her my manuscript.

Then Don replied to my message publicly on 23 February 2019.

His response strikes me as rather rude. I understand that when I query I am hoping the agent would like to work with me but it is a two way partnership. I always research an agent before I query to check they are a good fit for me too, otherwise I’m just wasting their time. His/her response gave me clarity that they were not someone I wanted to work with.

Do you need an agent?

If you are looking to traditionally publish then you’ll find most publishers won’t deal with writers directly. It will say no ‘unsolicited manuscripts’ meaning you’ll need an agent to approach them on your behalf.

It is important to research Literary Agents to ensure they are a good fit for your book, someone you want to work with and most of all to ensure they are authentic. Don’t fear, there are simple ways to check them out:

Agent History

For example, check the agents history. Legit agencies often have a page about the agents and the authors they’ve signed. They often promote the books they got published as their success is a reflection on them.

New literary agents often start out supporting an experienced agent, which gives them a platform to prove themselves and some assurance to writers and publishers that they either know what they are doing or are surrounded by the guidance of those that do.

You may be able to find their employment history on LinkedIn or try a website like Writer Beware to see if anyone else has raised concerns about them. You can also buy Writers’ & Artists’ Yearbook by Bloomsbury Publishing (check for the latest version as it is updated annually).

Online presence

At the very least they should have a website with a profile to tell you a little about who they are and what they are in to. Check to see how the site been published. Businesses use the internet to have a presence so if they have not been around long, you need to ask why? Have they re-branded and if so who were they before. Are they just starting out and what previous experience have they got.

Not all Literary Agents use social media, however, most do and it is beneficial to discover more about them. Are they promoting books/authors they’ve represented and how well have they done? What are their interests and would they enjoy your book? See how active they are and how long they’ve had their account.

Conduct

How do they behave? Many agents are drowning in submissions. It is highly unlikely they will have time to look for you and request a submission. They only time agents will reach out to someone is for non-fiction if you’ve done something that they feel their audience would be interested in and wish to ask you to write about it.

They should be upfront about what they are able to offer you and answer your questions in a professional manner. If they start hounding you with phone calls trying to push you to spend money, then you should block them and move on.

If they are rude or do anything that makes you feel uncomfortable, trust your instincts. It takes on average two years to get traditionally published! If that sounds long, it’s going to feel even longer if you don’t like them.

I wish you every success and hope this post has been helpful in what to look for when considering who to send your novel to. It is a personal decision and you have to do what feels right for you.

If you enjoyed this article, you may enjoy:

Seven tips for querying agents

How I edited my novel – 12 tips for self editing

Felixstowe Book Festival – The Publishing Industry

Book Review: Save the Cat – Writes a Novel

 

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To Connect On Social Media
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To Connect On Social Media

Felixstowe Book Festival – The Publishing Industry

This event was hosted by Phoebe Morgan who promised to share her advice on how to get published, attract an agent and attract an editor. It was held at the Sailing Club with stunning views of Felixstowe Ferry.

Introductions

Phoebe Morgan is the best selling author of The Doll House and works at Orion as an Editorial Director. She explained a little about the books she works on (crime, thrillers, women’s fiction and saga). She had created a presentation especially for us.

Before she started, Phoebe went around the room and got each of us to introduce ourselves and what we are writing and hoping to get out of the talk. There was something very endearing about Phoebe. People instantly warmed to her and wanted her to know about their writing. I think it is the way she appreciated and valued every writer in the room.

I shared that I have just finished editing Jewel of the Sea and sent it out to Beta Readers.  I explained that I have queried a lot, been rejected a lot and then edited again and have lost count of the cycle.  I confessed that I am now considering self publishing and believe my query letter and synopsis is not having the right effect on agents.

First Impressions

Phoebe’s talk began talking about bestsellers and popular genres and why these books are doing well. She emphasised why it is so important for writers to know what is trending when they are querying because this links to how it will be pitched to editors and publishing houses.

Phoebe had put together examples of pitches to illustrate how important it is to quickly get agents up to speed on what your novel is about in just one sentence.

Example: The Girl On The Train by Paula Hawkins – Woman sees inciting incident through her train window.

Phoebe told us what genres are trending right now. However, it is best to write the novel you want as these are constantly changing. She talked about why genre fiction is popular and why it is important for us to identify the genre where our novel will be placed. This helps the publishers identify where to market, package, design and price it. She pointed out how we need to be passionate enough about our books to promote it for two years!

Phoebe had collected examples of the first line of successful books and discussed how these sentences grip the reader right from the start. She pointed out how agents are often very busy and if they are not pulled in from the start, they will move on to the next. She pointed out how in a shop, a reader may pick up a book and look at that first line to decide whether to buy it or not.

Example: The Girl On The Train by Paula Hawkins – There is a pile of clothing on the train tracks.

Then, she got us to share the first line of our books and discussed their strengths. She also suggested that some writers should consider starting further into the story where the action starts.

Novel Writing

She went on to talk about how to use suspense and pacing in our novels giving us tips on how to use these to make our novels a page turner. For examples, shorter sentences and chapters can speed up action but you can do the opposite for when you need to pull the reader in for more detail – there needs to be a balance between the two.

Ending a chapter on a cliff hanger can leave a reader needing to read the next chapter, to do this successful you need the reader to care about the character and be worried about them or the invested in the outcome. It helps to make the characters life full of obstacles – if it is too easy, it is boring. Obstacles create conflict.

Phoebe briefly covered different ways to structure your novel and why this is important.

Characters are incredibly important in your novel so Phoebe had collected a few tips to help us. In my notes I jotted down:

  • Not too many – you only need three to five main characters.  If you have more then you can lose the reader as they won’t be able to connect with them.  If you have too many, see if two characters can be merged together to fulfil one role.
  • Zoom in technique – Imagine a lens and zoom in and think of little things that makes the character who they are.
  • Back stories – Make sure you know your characters back stories, even if this doesn’t come into the story it will influence who they are and make them more vivid when you write.
  • Motivations – Understand what drives your characters.  What are their goals and what they want to achieve, etc.
  • Likeable?  – It is not necessary for the reader to like your main character whoever readers do need at least one character they can emphasise with.  

Phoebe then got us to think about one of the characters in our novel and write for five minutes about their backstory.  I chose Luna who is a secondary character but her back story and actions are the catalyst for the entire series.  She is a character I need to know inside and out.  I may one day write a short story about her. 

Roles

She then told us about the steps to getting published. There were twelve steps! I’ve always been focused on ‘getting an agent’ that I have not thought much more about ‘what next’. It turns out there is a lot that happens after you get an agent, and a lot that happens after you an editor and after all that, when you finally get an offer from a publisher, you can say no.

Phoebe went into more detail about what an agent does and how to pitch one. I felt like I knew a lot of this as it is something I’ve done a lot of. Phoebe was able to recommend some good agents and resources like The Writer’s and Artists’ Yearbook.

She then told us what editors look for. It was very insightful to hear this as the agent will be looking for these things in your query. The agent will be trying to figure out whether they can pitch your novel to editors. Here are the main things editors want:

  • A strong, clear, one-sentence hook
  • A good sense of voice – character needs to feel new and unique
  • Fill a spot on their list – keep an eye out for out for wish lists
  • Pleasure to work with – they will check out social media to see if you take writing seriously but this is not a deal breaker.
  • A clear vision – they need to believe in the book and be able to see it doing well.

She ended by warning us that rejection is something almost every published author has experienced. She gave us tips on how to deal with and was very encouraging that a rejection doesn’t mean give up.

Summary

She finished by giving us a list of resources for further information and how to contact her if we have further questions. She also took our emails so she could send us a copy of her presentation.

Phoebe was so lovely, approachable and genuinely wanted to help everyone in the room. Writers who get to work with her are truly blessed.

I did have a damsel in distress moment in the car park where a knight in shinning armour came to my rescue. More about this in my next Felixstowe Book Festival post.

I hope you have found this useful. If you want to connect with Phoebe, you can find her:

Twitter: @Phoebe_A_Morgan

Facebook: @PhoebeMorganAuthor

Instagram: @phoebeannmorgan

And don’t forget you can buy her debut novel The Doll House, or The Girl Next Door.

Learn more about Phoebe Morgan on her website.

If you enjoyed this, you may like:

Literary dates calendar

Seven tips for querying agents

#PitMad June 2019 Summary

Felixstowe Book Festival – Containment

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#PitMad June 2019 Summary

I just finished editing Jewel of the Sea. The chapters are in draft on Wattpad and I just need to consolidate and format them into a manuscript. So, I decided I should take part in PitMad.

I joined the PitMad Challenge Facebook group hosted by Kathy Ver Eecke. For the week leading up to PitMad, Kathy set daily challenges to help us with developing our pitches for the event. It really helped.

I got some likes but they were by other writers that were being supportive and I don’t think they realised what it meant. All thought I didn’t get any real requests, I did make a ton of connections. Twitter kept freaking out with all the activity and kept checking I wasn’t a robot due to the unusual activity. In just a few hours of starting I had 200+ new followers.

Here is my Twitter Moment created to highlight my experience of #PitMad June 2019.

PitMad runs roughly every three months. If you want to know about the next event, head over to the Pitch Wars website to find out about the next date.

If you enjoyed this post, you may enjoy:

#PitMad – December 2018

#PitMad – October 2016

Seven tips for querying agents

Literary dates calendar

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