There’s more than one way to query…

Querying literary agents and publishers requires thick skin and believing your novel is good enough. But, for a long time, I believed self publishing was even more scary.

I’m not querying anymore, I am bravely going indie, and super excited about it. But over the years I tried various methods of querying and I want to share these with you because you might find it useful…

Query Letter (or email/form)

This is the most well known method. Traditionally, you’d identify identify a Literary Agent or Publisher you feel will be interested in your novel and send them a letter with your manuscript. Today, many allow you to submit online using a form or by email. It’s important to follow their submission guidelines which are often available on their website.

Many publishers don’t accept “unsolicited” manuscripts. This means you need a Literary Agent. Literary Agents used to insist on exclusive queries meaning you send to one agency at a time. Thankfully this is not the norm anymore as it made the process more time consuming.

You can find details about publishers and agencies by searching online or buy The Artists & Writers Yearbook. It’s a directory of contacts and full of useful article’s- it’s updated annually.

Query Service

It can be hard work to find who to query, manage the various submission requirements and keep track. As a result various companies have set up services to support you in this.

When WeBook was about, I loved their query service. They identified who was interested in my manuscript type, adapted my attachments for each agent, and kept track of my emails. It worked and I did get a few requests.

Sadly, WeBook is no more but other companies offer a similar service, like Tracker Query. There was Agent Query Connect but the page won’t load – maybe they’ve gone.

Here’s a video review of Agent Hunter from 2 years ago. I think they rebranded as Agent Match by Jerchio Writers.

Writing Platforms

Another thing my beloved WeBook did was a competition where readers voted on the first page of a book. Then the first chapter. Then the first three chapters. If you made it to the finals it would be read by agents & publishers. Readers got virtual badges if they were good at spotting a winner!

Wattpad has the Wattys. This is an annual competition for users of their platform. The story must have been posted on the site during a set period of time. If you win, you get offered a publishing contract.

TechUntold have a good list of writing platforms in this article: 7 of the best sites like Wattpad

Swoon Reads

This is similar to the social media platforms above except it is owned by a publisher. You must post the whole complete final novel, exclusive to them for 6 months.

Readers vote on their favourites and can offer feedback. The publisher chooses their favourites from the site to offer publishing. I recently blogger about my experience which you can read here.

It sounds like Sweek offer a similar idea but with more social engagement. But, I’ve never tried Sweek – let me know if you have.

Write Mentor

This is a supportive platform full of advice and information, mainly for people interested in children’s fiction through to YA fiction.

They have exclusive opportunities for paid members but also have events for all. For the public they host an annual book festival (with opportunities to pitch & meet agents) and competitions.

Publisher Competitions

Check out publishers that publish books like yours. Although they probably don’t accept unsolicited manuscripts, they may run a competition.

I entered Chicken House Publisher’s children’s fiction competition. Although I didn’t win, it was another option.

Bath Novel Awards

Look out for competitions like The Bath Novel Awards. This competition is judged by Literary Agents and readers. The winners gets a lump sum and offered representation.

Having this kind of accolade as you publish is going to be great for marketing your book. That’s why winning any competition is valuable to an author.

Mentor

If you can find a mentor, they can support you in getting published. There are plenty of competitions to find a mentor. This is another service offered by Write Mentor

The Arts Council England have different programs around the country to support writers. For example, in Norwich the National Writing Centre has mentors, and you can enter their Escalator competition to win one.

Book Festival Pitch Events

Look out of opportunities to pitch direct to an agent. Think of it like speed dating. You only have a few minutes to sell your book face-to-face. It helps to go prepared.

I took part in one at YALC and both agents I pitches to requested my manuscript.

Twitter Pitch Events

PitMad is probably the biggest query Twitter event but there are many more and some are genre sprcific.

You need to pitch your novel in a Tweet. Interested agents & publishers will like the tweet as a request. You follow their submission guidelines if you are interested back. Remember, you don’t have to send it if you’re not interested.

Manuscript Wishlist

If you’re on Twitter search for the hashtag #MSWL (Manuscript Wishlist) plus other keywords. For example, I searched for #MSWL #Mermaid to discover who wanted a mermaid story.

Even then, my MS wasn’t suitable for all. Some wanted a LGBTQIA+ mermaid story which Ocean Heart was not. Another wanted a mermaid story that represented BAME or other minority groups. Another was looking for a fantasy erotic novel.

It’s not worth wasting your time sending your MS to someone if they are looking for something specific and your MS doesn’t match.

Go Global

I kept most of my queries to the UK as I liked the idea that I could meet my agent/publisher in person. However, technology is changing all the time and making it accessible to meet people all over the world from your armchair.

During a Write Mentor festival, I got a one-on-one with a Literary Agent miles away. Whilst editing Ocean Heart, I had a meeting with my editor who was in another country.

Don’t restrict yourself by location.

I hope these 12 ideas help you in expanding your query options.

If you’re interested in indie publishing, stay tuned. I got sick of waiting for someone to say yes, so I gave myself permission to publish. I’ll be sharing my journey to help others interested in self publishing.

Redfae Bookshop is my Affiliate Bookshop.org shop link.

[kofi]

If you enjoyed this, you will like:

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Now you can PreOrder Ocean Heart!

Behind the Book: Lanterns in the Sky by Pagan Malcolm

This book by Pagan has been on my To Buy list for way too long. Here’s the Trailer so you can add it to your list (or basket) too:

You launched your book and it became a best seller. When did you start marketing it?

Before it was even signed with the publisher, if I’m being honest. I was already sharing teasers and talking about it because I knew people had to be excited by the get-go. I haven’t really stopped marketing since and I probably never will—though now, I tend to market the series as a whole because I have more books out to catch reader interest.

This book is traditionally published. How did you get signed – can you share your pitch?

I got signed with The Parliament House from Twitter’s #PitMad event in December 2017. This was the Tweet I pitched that got their attention:

You share what you have learned to support fellow authors. Can you tell us about some of your courses and coaching?

I sure can.

A great starting point for new authors is my membership community, The Authorpreneur Kingdom, which is where I do quarterly trainings (and you get access to a vault of past masterclasses on topics ranging from book marketing to publishing to mindset work). We also do weekly coaching calls in there and the authors find it very helpful to stay accountable each month.

I also have two courses that I launch twice a year.

Storyteller Academy is my course helping authors to write their novel and build success habits for full-time authorship, and Storyseller Academy helps authors with book launching, marketing and brand building. Both are self-paced, come with a range of bonus resources, and have direct access to me via a group community.

Please share a snippet or teaser from Lanterns in the Sky?

“Hey! Hey, wake up!”

Someone was shaking me. When I first opened my eyes, everything blurred together. I blinked to adjust them to the night sky. I could hear crickets chirping somewhere. Hovering over me was the face of a boy with emerald eyes and brown hair. I stared at him — my mind was scrambled, and pain throbbed in my temple. Between that and my momentary amnesia, I couldn’t really concentrate on much else.

“Are you okay?” he asked in a smooth voice, his brow furrowed in concern. “Do you need me to call someone?”

I slowly sat up, which prompted the pounding in my head to intensify. I hissed and raised a hand to my forehead.

“What… happened?” I groaned, trying to recall the moments before I’d blacked out.
He rocked back on his feet to give me some space. Still crouching, he folded his arms as he said, “You tell me.”

I shook my head, thinking hard. It came back to me in pieces. I remembered the dread I had felt … the light…

“I was hit… I think,” I told him as my memories slowly came together, but I wasn’t sure. My head swam and the throbbing pain in my head was distracting me.

“By who?” he asked, furrowing his brow.
I shook my head again. It sounded stupid, but I was certain of what I saw.

“It wasn’t a who… it was a light.”

The boy frowned, his mouth twisting. “A light?”

What did you enjoy most about writing your fantasy novel?

Wrecking havoc in my characters lives! Mwahahaha!

But also, building the plot. That was a lot of fun too.

What was hardest about writing your fantasy novel?

Making sure the plot was consistent, fixing plot holes and reducing the amount of side plots from my first draft back in 2011. It took me 18 drafts to get this story right.

What inspired you to write Lanterns in the Sky?

Well, it actually started as a psychological horror novel—but then I realised that was not for me. It was only when a friend convinced me to keep writing because she liked the concept of the stars being lanterns in the sky that I was able to adapt some of my newer, fantasy ideas into the story (e.g. the princesses, the magic, etc.) and kind of did a 180 with the story to bring it to life.

Which novel do you love and wish you wrote?

Honestly, none of them. I love so many books and there are definitely writers I wish I could write as well as, but I also love my own writing style and my own stories. Their stories are theirs and that’s why I could never come up with their ideas.

Tell me about a typical day in the life of author Pagan Malcom?

On most days, I’m actually working on my business, Paperback Kingdom—but I sprinkle in time to market my book, send out a few emails, and do the authorly stuff that needs doing. On a true writing day though, I can be at the kitchen table (which is where I enjoy writing most lately) for hours on end. I spend a lot of weekends like this with cups of tea and some kind of snack.

Where can we find out more about your coaching, courses and buy your books

For my books, check out psmalcolm.com (you can also find the membership site there—but you have to be a Patreon supporter of mine for access).

For my coaching and courses, check out paperbackkingdom.com.

[kofi]

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Why I have chosen to Self-Publish

This post will share my ambition to traditionally publish and why that dream has changed to wanting to be an indie author.

The Traditional Author Dream

For years my dream was to be a published author. From the moment I realised someone wrote the story I was reading, I wanted to be that someone.

Back then, the only way to publish was to look inside a similar book for the contact details of the publisher and send your manuscript to them with a covering letter in the post.

Since then, things have changed. Many publishers won’t accept unsolicited manuscripts so you first need to get a Literary Agent. Most places won’t accept manuscripts by post so you now must send the document by email or using a form on their website. Their websites inform you of everything they want and don’t want. Most places now want:

  • A polished manuscript
  • A personalised covering letter (body of email) saying why you choose them
  • A synopsis (that fits on one page)
  • Comparative novels
  • A pitch
  • A marketing plan
  • And social media links.

Sounds like a lot! And often you need a good pitch to even get invited to send all that to them in the first place.

That’s not to add that rejection is high.

The Different Publishing Paths

As a result, it is no surprise that people have come up with solutions to this madness. One alternative method is to self publish and another is vanity publishing.

Here is a little info graphic on the basic differences between the different paths for novel publishing (from my interpretation):

Vanity Publishing is not for me. I don’t have the upfront costs and I want more control.

Traditional Publishing is no longer for me. I have a lot of admiration for people that are fortunate enough to get their Literary Agent and publisher. It instantly gives their novel validation that it is good enough to print. And, you know that it will have been processed by a number of industry professionals before going to print. But, I’m bored of querying.

Ready to publish

I have waited long enough and now I realise I don’t need someone else to say yes when I can give myself permission to publish today.

Con Artists

In recent years, the only requests I have had have been from ‘publishers’ I don’t trust. They requested my novel after a pitch event or via Instagram. Their websites were newly created and had no details about authors or books they have worked on/with or even who the agents or editors at the company are. I passed.

Costs

It has taken me years to find the money to pay for an editor myself. I need to pay as you go. I also like the idea that the sales will go to me.

Autonomy

After all the time I have put into it, I want my novel to be the way I want it. I want a say over the formatting and the cover. I want control.

Readership

I don’t want this to be my only novel. It is important that my novel is a quality product. I want to be confident and proud of my book. I want readers to enjoy it and want more. Once I publish, I don’t want to stop.

Self publishing is scary. But, I’m ready. And, I hope you will enjoy following me in my journey to publication.

If you enjoyed this you will like:

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Writers beware! Know who you are querying.


Click my link tree to discover more ways to connect.

@Redfae

How was #PitMad September 2019?

As always, this Pitch Wars event isn’t simply about grabbing the attention of your dream agent or publisher. It is also about connecting with the writing community.

Taking part, I gained more followers. People retweeted my pitch to show support and help it get noticed and some even commented to let me know they liked my idea which is really encouraging. Further down you will find a collection Tweets that sum out the event for me.

The Manuscript Wishlist

One Tweet that was incredibly useful was by @RebeccaFKenney1 who told me about #MSWL. I never knew that agents tweet about the manuscripts they are wishing for. A quick search for “#MSWL Mermaid” sorted by most recent, brought up the two agents she had sign posted me to.

I have now discovered that on 24 September 2019 is #MSWL Day when agents will tweet their wish list to help authors find their match. I shall be adding that to my Literary Calendar which you can access to discover useful literary dates.

How successful was I?

  • Tinsel Tiger (picture book) – 4 likes (none were agents or publishers)
  • Jewel of the Sea (YA fiction) – 5 likes (three by publishers)

I will research these publishers to see if I feel they are a good fit for me before submitting.  On initial inspection, one of them really appeals to me due to their ethical values.

⚡️ “#PitMad September 2019”

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#PitMad – December 2018

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Click My Link Tree
To Connect On Social Media
Click My Link Tree
To Connect On Social Media

#PitMad

What is #PitMad?

Last month I did #PitMad. This Twitter event is where writers tweet a pitch for their book. Interested editors/agents like the tweet to request a submission. Writers then check the submission guidelines and submit if they are interested.Twitters can support writers by retweeting the pitch – but must not like (only agents/editors can like).

The event took place on 6 Sept. Pitches must fit in one tweet and be for a complete and polished manuscript. You can tweet three times for each novel within the 24h period. The tweet can be the same pitch or different. You can pitch more than one novel during the event.

There were loads of amazing pitches. I easily could have given into the voices of doubt in my head and been intimidated. But, if I don’t try new things, I’ll never learn. If I shy away from putting myself out there then I’ll never achieve my dream of being published. It was scary but I’m pleased I did it.

I only joined the event during the final hours. If I were to participate again in future, I’d spread my three tweets out throughout the day.

I noticed many writers compared their book to two titles already in the market. I’ve never done this so it might be good for future thought.

Request

I did get a like! Getting a like was very exciting, I felt as if I had finally made it and my husband had to remind me that although they’ve requested I submit, it doesn’t mean they will sign me.

In fact, turns out, just because they requested my manuscript doesn’t mean I have to submit to them. After looking at their website, I choose not to submit…

Why? The publisher is a new print launching in the Fall. That’s not a problem. Their website was incomplete and their facebook page had only been active for three weeks. I could have ignored all this if I could find out about the agents background in publishing but there is nothing. No history.

My heart sank as I realised, this might not be the big break I had thought it was. I’ll keep my eye on Burchette and Ferguson but until I know more about who is behind the company and what they can offer me, I will leave it for now.

The future

The next #PitMad is on 6 Dec and I’d love to hear your tips so I am better prepared next time. Have you done #PitMad? Can I see your pitch? How do you decide what book is most like yours? Do you think I was right to ignore my request?

I’d like to do more Twitter events. I wish there was somewhere I could go to find out about events taking place. Do you know of such a place?

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#AskAnna

Earlier this month, Curtis Brown held a twitter event called #AskAnna where Anna Davis was online to answer questions about writing and publishing.  She is an author and worked in publishing for over a decade and delivers some of the CB Creative courses.

The event was good fun – although, a little slow to start.  Afterwards, I thought of more questions I wish I had asked but this was my first twitter Q&A that I’ve participated in. Usually, I can’t attend as I’m at work.

If you couldn’t make it, you’ll be pleased to know I saved the Q&As I found most useful from the event (start at the bottom and scroll up):

I hope CB do more Twitter events in future and that I can attend. This was good fun. Best of all, it was great to be invited to ask questions as I then knew we were welcomed and not a nuisance. I would love to hear of more a Twitter events – have you done any?

In 2017, I completed the Curtis Brown course Start Writing Your Novel.  Click here to read my review about it. I’m really tempted to do more courses with them but at the moment, I don’t have the time or money.

The Literacy Consultancy looks really good but, again, I don’t have the money to pay for their services at the moment. They edit and review manuscripts and advise of marketability and who to approach and have a mentor scheme where someone with experience supports you with in-depth advice on your novel. I can’t believe I’ve not heard of this organisation until now! Have you?

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