This post will share my ambition to traditionally publish and why that dream has changed to wanting to be an indie author.
The Traditional Author Dream
For years my dream was to be a published author. From the moment I realised someone wrote the story I was reading, I wanted to be that someone.
Back then, the only way to publish was to look inside a similar book for the contact details of the publisher and send your manuscript to them with a covering letter in the post.
Since then, things have changed. Many publishers won’t accept unsolicited manuscripts so you first need to get a Literary Agent. Most places won’t accept manuscripts by post so you now must send the document by email or using a form on their website. Their websites inform you of everything they want and don’t want. Most places now want:
A polished manuscript
A personalised covering letter (body of email) saying why you choose them
A synopsis (that fits on one page)
Comparative novels
A pitch
A marketing plan
And social media links.
Sounds like a lot! And often you need a good pitch to even get invited to send all that to them in the first place.
That’s not to add that rejection is high.
The Different Publishing Paths
As a result, it is no surprise that people have come up with solutions to this madness. One alternative method is to self publish and another is vanity publishing.
Here is a little info graphic on the basic differences between the different paths for novel publishing (from my interpretation):
Vanity Publishing is not for me. I don’t have the upfront costs and I want more control.
Traditional Publishing is no longer for me. I have a lot of admiration for people that are fortunate enough to get their Literary Agent and publisher. It instantly gives their novel validation that it is good enough to print. And, you know that it will have been processed by a number of industry professionals before going to print. But, I’m bored of querying.
Ready to publish
I have waited long enough and now I realise I don’t need someone else to say yes when I can give myself permission to publish today.
Con Artists
In recent years, the only requests I have had have been from ‘publishers’ I don’t trust. They requested my novel after a pitch event or via Instagram. Their websites were newly created and had no details about authors or books they have worked on/with or even who the agents or editors at the company are. I passed.
Costs
It has taken me years to find the money to pay for an editor myself. I need to pay as you go. I also like the idea that the sales will go to me.
Autonomy
After all the time I have put into it, I want my novel to be the way I want it. I want a say over the formatting and the cover. I want control.
Readership
I don’t want this to be my only novel. It is important that my novel is a quality product. I want to be confident and proud of my book. I want readers to enjoy it and want more. Once I publish, I don’t want to stop.
Self publishing is scary. But, I’m ready. And, I hope you will enjoy following me in my journey to publication.
I love sharing posts on my blog written by other authors. This one was by Fantasy author Andrew McDowell and is the most viewed post of the year! Follow the link to the post to discover more about him and his books.
Please let me know if you would like to write a post for my blog.
I am pleased this post was so popular as it took a long time to create and a lot of research. I basically wanted to help other writers by creating a calendar with useful literary dates. For example it has Twitter pitch events and book festivals.
This now has its own dedicated calendar page. Click here.
I used to always write my stories by hand but since going digital I don’t have as much need for a notebook. I still get an excited feeling when I see one and after an Instagram challenge to write somewhere different I rediscovered my love of notebooks.
This post reflects on how writing by hand can boost your creativity and my own personal experience with this.
This series started in October through to November. The fact it was posted towards the end of the year and still made the list shows how popular it has been.
The most popular in the collection was Part 6 (Insta Hashtags for Writers For Each Month) with 38 views. I felt it would be more meaningful to give you the full collection rather than list all the parts below that made the top 5.
This post is a cautionary tale. I always research who I am querying and spend a lot of time on it. I know how exciting it can be to hear an agent or publisher are interested in your novel. But check out who else they have signed and how their experience was.
There have been a few occasions I have felt the interested party may not be who they say they are and it feels like pop-up publishers are becoming more common. I have spent years on my novel and refuse to sign with someone I don’t feel confident can deliver on their promises. This is one of the reasons I have now chosen to self publish.
My About Me Page
During 2019, I wrote a blog post (About Me – Spring Clear). It was about making sure your About Me page is up-to-date on your website. It is one of the first pages you crate and easy to forget about.
I was shocked how out of date mine was and wrote a post to help prompt other to update theirs too. I’m glad I did. My About My Page has had 79 views!
Guess what? I checked it when writing this post and it needs updating again! If you haven’t checked your About Me page in a while, go check it out. In the meantime, here is mine: About Me (page)
Click my link tree to discover more ways to connect
Sadly, there will always be con artists looking to prey on the vulnerable. It is easy to manipulate someone if you promise you can make their dreams come true.
When I started modelling I was aware of rogue agencies that offer to build you a portfolio for a charge. They sell it as your big break and that it will open doors for you into the industry but the truth is it is just a photography package. There is nothing wrong in paying a photographer if you want photos, but don’t be fooled into thinking it will guarantee you work.
If an agency really likes you, they won’t charge you for the privilege. You should never have to pay your employer for the opportunity to work. Especially with no guarantee of any return.
Sadly, writers don’t always realise this. With so many barriers to the publishing industry they are relieved when they finally get an interested agent that sometimes they fail to check them out. They are so happy they naively agree to costs their agent tells them are necessary to start the publishing process. This is untrue. The only time you would pay up front to publish is if you wish to self-publish or if you have chosen to use a vanity publisher.
Travis Heerman
Here is a story by Travis Heerman about his early experience of the industry. He was conned out of a large sum of money in pursuit of his dream, by a scam that seemed to never end. Even worse, he was not alone. Cautionary Tales for writers – part 1.
Travis shared his story in the hopes of saving other hopeful writers from the same heartache and stress he went through.
I would like to highlight that one of the defendants (found guilty in court) of this scam was a man named Don Phelan. Why this is interesting will be raised later.
September 2018
During the September 2018 #PitMad event I got a request by Burchette and Ferguson, however, I chose not to follow up and send them my MS as I was put off by their website and here is why. They had only existed for three weeks and had no details about who worked at their company or their background.
I started drafting this article in February 2019 (screenshot below) and checked out their website again only to be greeted by the a message informing me that they are preparing for their big launch and the site had been down since October 2018!
However, I checked the site again today (almost a year later), 1 September 2019, and the site no longer exists!
With Pitch Wars #PitMad (September 2019) in just a few days, I felt it was a good time to remind people that just because someone likes your pitch, doesn’t mean you have to send it to them. This company was ‘preparing for a big launch’ a month afterwards that I don’t think every happened, and vanished in less than a year.
February 2019
This year I have been connecting more with other writers on Instagram. It’s been great for motivation, support and tips. One of the connections is The Writers Advisor.
On 20 February, they posted about a Literacy Agency actively seeking submissions. Here is the post.
It wasn’t clear to me at the time that they are a Literary Agency. I thought it was a post they were sharing. I said I would check it out later.
Later on, I visited the site but could not find any details about who works there or any authors already signed or books published. So, I returned to Instagram to comment publically asking if they knew anything about which agents work there.
They responded with a private message:
It might be a coincidence and a completely different Don Phelan to the one in the publishing fraud case but with the lack of further information I decided to pass on sending him/her my manuscript.
Then Don replied to my message publicly on 23 February 2019.
His response strikes me as rather rude. I understand that when I query I am hoping the agent would like to work with me but it is a two way partnership. I always research an agent before I query to check they are a good fit for me too, otherwise I’m just wasting their time. His/her response gave me clarity that they were not someone I wanted to work with.
Do you need an agent?
If you are looking to traditionally publish then you’ll find most publishers won’t deal with writers directly. It will say no ‘unsolicited manuscripts’ meaning you’ll need an agent to approach them on your behalf.
It is important to research Literary Agents to ensure they are a good fit for your book, someone you want to work with and most of all to ensure they are authentic. Don’t fear, there are simple ways to check them out:
Agent History
For example, check the agents history. Legit agencies often have a page about the agents and the authors they’ve signed. They often promote the books they got published as their success is a reflection on them.
New literary agents often start out supporting an experienced agent, which gives them a platform to prove themselves and some assurance to writers and publishers that they either know what they are doing or are surrounded by the guidance of those that do.
You may be able to find their employment history on LinkedIn or try a website like Writer Beware to see if anyone else has raised concerns about them. You can also buy Writers’ & Artists’ Yearbook by Bloomsbury Publishing (check for the latest version as it is updated annually).
Online presence
At the very least they should have a website with a profile to tell you a little about who they are and what they are in to. Check to see how the site been published. Businesses use the internet to have a presence so if they have not been around long, you need to ask why? Have they re-branded and if so who were they before. Are they just starting out and what previous experience have they got.
Not all Literary Agents use social media, however, most do and it is beneficial to discover more about them. Are they promoting books/authors they’ve represented and how well have they done? What are their interests and would they enjoy your book? See how active they are and how long they’ve had their account.
Conduct
How do they behave? Many agents are drowning in submissions. It is highly unlikely they will have time to look for you and request a submission. They only time agents will reach out to someone is for non-fiction if you’ve done something that they feel their audience would be interested in and wish to ask you to write about it.
They should be upfront about what they are able to offer you and answer your questions in a professional manner. If they start hounding you with phone calls trying to push you to spend money, then you should block them and move on.
If they are rude or do anything that makes you feel uncomfortable, trust your instincts. It takes on average two years to get traditionally published! If that sounds long, it’s going to feel even longer if you don’t like them.
I wish you every success and hope this post has been helpful in what to look for when considering who to send your novel to. It is a personal decision and you have to do what feels right for you.
