Have you seen that advert of a mum working from home? She is lying on the floor cooing at her baby and typing on her laptop. I bet you know the one I mean.
Well, I’m embarrassed to admit I believed this could be my life. My dream has always been to be a Novelist and I also longed to be a mother, so this image was singing to my heart, ”you can have it all!”
If I’d waited for my ideal writers life, I’d still be waiting.
Ally Aldridge
I’ve been writing stories ever since I could put a sentence together but for many reasons I put off seriously trying to get published until the prospect of children was on the horizon.
As soon as I got engaged in September 2009, I came off the contraceptive pill. I wanted it out of my system so I could get pregnant as fast as possible once married. We married in June 2011 but different factors got in the way of motherhood.
Our Wedding in Mauritius
During that time I wrote Hunted, Instinct and Drift (now published as Ocean Heart). I edited Drift, queried it, got some requests… but never an offer.
Late 2013, I had my son. He took over my life in the most glorious way, but it was obvious how unrealistic that image in my head was. My working hours were reduced but it didn’t enable any extra time for writing. If anything, I had less time. I was juggling a job and my parental responsibilities. Most evenings I was too shattered to do anything.
Once my son turned three, we decided we were ready to grow our family. Fortunately, I didn’t fall pregnant quickly because a few months later the company I was employed at went into administration. Expanding our family was put on hold until we got financial stabile again.
To my relief, almost a year later, we decided to try again and I fell pregnant straight away. My daughter joined us in the summer of 2018.
During this time I’d continued to edit and query Drift. I realised that I have to just make my situation work if I wanted my dream. That meant, I often wrote in the evenings when my kids slept. Sometimes they have worn me out in the day and I have to be okay with letting myself take a break.
I focus on celebrating what I have achieved and that I’m still making progress, instead of being frustrated I can’t do it as fast as others. I blog and schedule content on my mobile whilst my kids play. I make my social media posts on my phone often using Canva. In the smallest pocket of time, I can still work towards my goals.
Due to my new can do attitude, I’m now a published author. That’s right, in December 2021, I said yes to myself, and published Ocean Heart, book 1 in The Soul Heart series. If I’d waited for my ideal writers life, I’d still be waiting.
During lockdown, I’ve lost my childcare for my youngest . And, whenever the schools close, I’m homeschooling for my oldest. My employer has been pretty supportive and when I’ve been most impacted by the pandemic, I have been placed on Furlough.
These days I have even less time to write! But, I’m writing. Maybe not everyday, but I am getting there.
My message to you is, do what you can now because every little bit will add up. There’s nothing to lose. Worst case scenario, you have a fabulous novel all to yourself.
This book is the finale in the Cronus Chronicles series. I will place links for the earlier books in this series at the end of the post. Each interview covers different writing tips and info about the series.
How long did it take you to write this book once you had the idea?
The idea of Gabe’s story came in flashes, but once I finished writing Abby’s and Seth’s stories, Gabe’s story took about six or seven months to write the first draft. Another month or two to rewrite. I’d say the process from drafting through publication took sixteen months.
This book was written after you lost your dad – was it a therapeutic outlet? I notice that it deals with death.
This book explores my grief to some extent, or the ways in which suppressed grief has power over us. Writing Gabe’s story allowed me to process the loss of my father and my own pain. In many ways, I felt stuck like Gabe. When he walks into that childhood fort, I felt like I completely understood his need to hide there, to face death; though Gabe deals with suicide ideation, I think each of us face the symbolic death of self when we face the pain of loss, and then the subsequent rebirth when we find our way out of it. I’m not sure if that makes sense?
Tell me about the character Gabe?
Gabe has faced immense bullying his entire high school career; it’s called The Freak Challenge, and the object is to get Gabe to fight back. Writer of poetry and lover of Abby, he hasn’t fought back because he knows who started the challenge—Seth—and he’s biding his time to get back at his former best friend for the betrayal. His therapist has tried to help him. His adoptive parents have helped him. Even Abby, now, has helped him, but lingering over his head is the knowledge of his real parents and his fear of becoming them. When things spirals out of control and Seth’s life is on the line, Gabe crashes and feels like everything that’s happened is his fault, the fault of the DNA he carries in his body, and that the only way to save everyone else from the monster he’s becoming is to end it.
Each book is a different character from the series story. What inspired these characters?
You’ll see the parallels with the three characters in the Twilight series. Abby-Bella, Seth-Jacob, and Gabe-Edward (though an awesome reader thought Seth and Gabe were reversed which I love too). When I rewrote the books, Abby was inspired by the emergence of Hawaiian culture in my island home. The exploration of how one’s culture informs identity. Seth, as a villain, was inspired by the idea that even the villain has a story. That those either-or dichotomies are often flawed because as people we are a million variations of color. Finally, Gabe was inspired by my daughter who has struggled with mental health. When I read the statistics about males and sucicide rates, I was so saddened, I knew I wanted to explore this further.
When you finished the series you gave it a new look. What was it like relaunching a book and redesigning the covers?
It was hard work (and costly) but I’m so glad I did it. I am so proud of how they turned out, and they are so much more in line with how I envisioned them in the redesign as opposed to the original covers (which I liked too). It’s a lot of work. Finding a cover designer, formatting, learning the ins and outs of publishing in a more hands on way. I don’t think it’s probably a path for everyone, but I’ve enjoyed the process.
Do you design the covers yourself or use a designer?
I hired a cover designer. Her name is Sara Oliver (https://saraoliverdesign.com) and I think she’s amazing. I love working with her.
Can you share a snippet of the book?
Would love to . . . Though I’m not sure what to share. Here’s one of Gabe’s poems:
Vomit up the monster.
It plays with blocks,
Stacking and rearranging them
Around holes in my heart.
I’m the butt of a joke;
It’s laughing, wide mouthed,
And kicks – cracking what’s already damaged.
The monster crawls back inside
To be vomited another day.
-by Gabe
Excerpt from The Bones of Who We Are by CL Walters
Where can we go to discover more about you and your books?
My books can be found on any of your favorite platforms. I would always recommend going to your independent bookstore and you can always request them to bring it in.
If you missed my previous post – click here for part 1. Or check out the collection for all parts.
So, you’ve drafted your novel, edited it a few times, and now you’re thinking about self publishing it.
STOP!
Every book you publish builds your reputation. If you decide not to get it professionally edited, you risk loosing future readers. Successful authors always talk about the importance of their back list (previous titles). What you want is to create a fan base that will keep coming back for more.
You NEED to get it professionally edited.
Step 2 – Professional Edit
Here is a handy infographic you can add to Pinterest of the steps covered in this post.
There are many professional editors who specialise in different areas. I’ve tried to simplify the process in this graphic, but each editor is unique. Check what they offer as part of their editing service. I will provide links to more info where I can.
Developmental Edit
You can learn so much about your novel and writing from this edit. The editor will highlight what’s working and what’s not, and make some suggestions on how to improve it.
When you get your manuscript back you will have a lot of work to do but it’s well worth it. I paid a local printer to print my MS, so I could work through the edits physically and digitally.
Line Edit
Sometimes to save money people choose between a line or copy edit as they have similarities. If you can afford both, do it. The more editing the better. For Ocean Heart, I did skip this but my editor did some line editing within her copy edit.
Self Edit
Read through all the changes made (or recommended) by your editor. These will improve your manuscript. You don’t have to make the changes but I doubt you paid for an editor to ignore them.
Copy Edit
I got a copy edit for Ocean Heart as my final edit. My editor still pointed out areas that needed improving – even by this point, it still wasn’t perfect.
Got feedback? Use it to to make your manuscript even better. By this point most authors are sick of editing and lost count of the number of drafts – now its ready to publish.
Publish your novel
The next post in my series is about turning your final manuscript into a book and publishing it…
For some reason I wasn’t aware book 2 was out and the crazy thing is, it was out first!
Am I right in thinking this book was originally published as a standalone, and was your first indie book?
Yes! The Ugly Truth started as a stand alone and was my first indie book. The problem was, I was never happy with the ending. It felt trite and over-simplified and I couldn’t seem to figure out how to fix it. It wasn’t until two years later that I decided to finish the series and I started on Swimming Sideways. When that book was finished, I realized I’d written them out of order and they were connected. It allowed me to go back to The Ugly Truth and write the ending which finally worked.
I notice there is a theme of truth and lies in your series, was this intentional?
I don’t know that I made a conscious decision to explore truth and lies initially, but one of the big character flaws of Seth was that he was hiding his truth in lies. Abby faces the same thing. Gabe isn’t lying so much as just hiding. So perhaps the broader theme is how we hide our true selves and the means we do that because we’re afraid or insecure or whatever reason creates that need to hide.
Which character do you relate to most?
Each of them, I think, in some ways. Abby’s “good girl” position; Seth’s need to project he’s got it all together when he doesn’t; Gabe’s sensitivity. I think the one I aspire to be like is the secondary character Dale in Gabe’s, The Bones of Who We Are. I think our stories reflect lots of pieces of us.
Tell me about the main character Seth?
Seth is a “it” guy at his high school, but he knows he doesn’t deserve it. He’s done some awful things to people including his once best friend, Gabe, by instigating “the Freak Challenge” even if he didn’t know it would blow up like it did. Worse yet, he doesn’t come forward to fix it because he’s too afraid. And that’s always been his problem: he’s afraid. At home, where no one knows, his family faces the rage of an alcoholic father, and Seth often bears the brunt of that anger. This story, however, is told through Seth’s memories, because he’s woken up as a spirit outside of his body which is lying in a coma in a hospital bed, and he doesn’t remember how he got there.
Where did the idea for this novel come from.
When I first started writing this story 15 plus years ago, it was a paranormal story. Abby and Seth were Earth guardians and Gabe was a Fallen Angel. It was initially inspired by Twilight because I was so upset with how Meyers had treated the characters. About the time I finished the first installment and began the query process, the book Fallen by Lauren Kate came out and then Hush Hush and suddenly the market was saturated. At the end of that first book, I’d ended it with Seth being dragged into a hell-like place by a demon named Amaros but I’d put the series away because I couldn’t find an agent, but Seth kept talking to me. “You’ve left me down here,” he’d say. “You’ve left me in hell.” So in 2015 I decided to approach his book as a stand alone and changed it to a YA Contemporary with speculative fiction elements. But as I mentioned earlier, I couldn’t get that ending to work!
How did you come up with your publishing name – Mixed Plate Press?
In Hawaiʻi, where I live and write, a mixed plate (also called a plate lunch) is a little bit of everything —meat, rice, salad—and all of it represents the “local flavor” of the islands. When I came up with the name for my independent imprint business, I wanted to go for that idea of a Mixed Plate Press title being representative of “many flavors” and something for everyone. That more than just the mainstream voices could be represented as a part of the publishing platform even if they’re niche.
Can you share a snippet of the book?
Definitely!
Here’s the first chapter of The Ugly Truth:
The Truth of Being Alive… Well, Kind of…
When I become conscious of myself, the way I am now, it isn’t like the idea of waking. I’m stretched thin, not exactly in the physical world or in the spiritual one, but somehow in between. My physical body is locked, but my spirit, what I guess I am now, moves beyond the confines of my bone, muscle and skin. I hover like a breeze in the flutter of a curtain. I dart back and forth between people and follow them while my physical body remains where it is, a shell that once housed me. I don’t know how I got here.
Time doesn’t function like it once did. This in-between layer seems to have collapsed into the slow motion of time lapse. I don’t know how long I’ve been here, but the longer I am, bits and pieces flash like images spliced together and sound bites in vignettes.
Darkness.
The wail of the siren.
Words: “Stay with us, Seth.”
The wail of a woman (I think she is my mother).
Bright lights.
Beeps and blips of equipment speaking.
Drip.
“Swelling.”
“Induced coma.”
Doctors.
Whir.
Now.
I don’t think it has been very long. If I use the emotion of the woman I think is my mother’s gusts of grief as a measure, this seems recent.
A man appears in the doorway of the room. A haze of familiarity lingers in my consciousness. I think he is my father. Clues: he isn’t dressed like a doctor or a nurse and instead is in worn jeans and a button-up flannel over a white t-shirt. Add to that his hesitation at the door when he sees my body. His face is drawn, pale and heavy with the burden of emotion. I watch him take in the scene from the doorway and imagine how he might see the space from my corner of the room.
It’s a plain room, clean and sterile, a blanket the color of the sky over my physical body. My dark hair looks strange against the pillow, a stark contrast to the whiteness of the bed. The paleness of my face that seems to blend into everything else aside from the beautiful blue and purple bruises, blooming flowers, on my face and the dark cuts that crisscross my forehead. A tube protrudes from my mouth, tubes from my arms, and the loud click and whir of the machine causes my chest to rise and fall with a regular rhythm like a ticking clock.
The woman, her back to the man, holds my hand. “Seth. Honey. Momma’s here,” she says through tears.
That’s a first.
This is a thought which shocks me, a reflexive one that is as natural as breathing but like a punch to the gut. Bitterness tastes like something old and stale, and I want to rinse my mouth, wash the bitterness that dispels fermented hostility like the color of putrid yellow-green staining the atmosphere.
The man walks into the room from the doorway, the sound of his footsteps announcing his arrival. As he crosses the room, I shrink away from him. My mother’s back straightens, rigid while the essence of me tightens up and folds in on itself until it’s so small it can’t be folded anymore. It’s a reaction I don’t understand. I retreat into the upper corner of the room as far I can without passing through the wall. Again, I’m struck with this visceral response that isn’t connecting. I don’t remember. This inexplicable feeling is confounding. Add it to the confusion of being disconnected from my body and fear has planted several seeds.
The man puts his hand on my mom’s shoulder. She shrugs away from his touch as though burned. “Kate?” He asks, and this exchange solidifies he is my father. His voice sounds different than what my unreliable memory insists is characteristic of him: it’s too shallow and lacks thunder.
The man puts his hand on my mom’s shoulder. She shrugs away from his touch as though burned. “Kate?” He asks, and this exchange solidifies he is my father. His voice sounds different than what my unreliable memory insists is characteristic of him: it’s too shallow and lacks thunder.
Something in my psyche reacts to this interaction though I can’t quite name what it is I feel. I know it doesn’t feel quite right. It’s like putting on a new shoe that isn’t formed to the foot yet. Her minuscule rebellion and his muted tone are unfamiliar. I search for what seems more familiar and imagine her acquiescence in his unrelenting storm.
“I won’t speak in anger in front of Seth,” she says. It’s more of a whisper really. “He can hear. The doctor thinks so.”
“I understand you’re angry. I’m angry too.”
She swivels in her chair with acute force and levels a stare that makes him step backward. “You’re angry?” she asks through clenched teeth, the sound more like a hiss.
I stretch in my corner of the hospital room, toward them, revelation like an electric shock moves through me. My father has seen something in my mother’s look that stays him. His face says it all, the stupefaction, the denial, and then the pain. He turns away, unable to hold himself up under her gaze and leaves the room.
I follow him, curious. There is something different about this man – it’s foreign, frightening and strangely freeing. He’s shoved his hands into the pockets of his jeans and shuffles down the hallway. This father isn’t recognizable but is broken like a car that needs a new spark plug.
He enters a waiting room filled with people. Emotion rushes at me in a variety of colors: blue, red, orange, green, yellow, purple, brown, black and shades in between. Each person in the room exudes color, some with multiple hues. I don’t know what the shades mean, but I sift through the spectrum to find where the feelings emanate. As I scan the room, I freeze on one face. I know this one: Abby. She is surrounded by an aura of light-blue tinged with darker flecks of blue and gold.
My form is filled with warmth and then chased by regret. I remember her smile and her laugh. I remember the way she made me feel: safe. I reach for a memory that causes the cooling grief, but there is only blackness. “Abby. I have to tell you something,” I say but my memory stalls not able to grasp what I thought I needed to tell her. She doesn’t indicate she’s heard me. “Abby,” I try again anyway.
“She can’t hear you,” a voice from an invisible entity says.
I whirl around the room. The origin remains hidden and the voice silent, so I return to Abby.
I’m in front of her, hovering as though standing on my own two feet. I study her, free to do so. Her brown eyes are rimmed red. She’s been crying and her brown face is pale, her inner-light diminished. She’s crossed her arms over herself as though holding something in. “Abby?” I try again, but she doesn’t hear me.
An awareness I don’t want to recognize dances on the peripheral of my being. I want to turn away from it, but I can’t. It’s like an angry jester dancing within me flashing a terrible smile. Looking at Abby, anguish wraps its arms around me and panic infiltrates my life force. I know I don’t want to be like this – in between. “Abby! Help me!” I yell.
She shivers as if she is affected by my cries but looks right through me.
Someone next to her – a young man – puts his arms around her. When I’m able to focus on him through the soft light reaching toward me, I recognize him: Gabe. A flare of anger rushes through me, fire and hot, that angry jester taunting me with his awful dance again – instinctual. When I focus on my former friend, I see he’s been crying, his eyes defined by sadness. I notice the bruising on his face and my spirit cracks open. A cool-blue washes me and the red steams away. My own perception of things isn’t ringing true, a little flat, like the note needs adjustment. I’m missing something.
“You!” The word is like a shot startling me. It sounds like a curse.
Abby looks up.
I swivel around.
My father exudes black and red. I remember this man. One of his dragons appears ready to burn his intended victim with its internal fire. He’s pointing at me, but I realize he can’t see me. He sees Abby. “This is all your fault,” he yells and takes three menacing steps toward me – her. “You changed him!” He stalks through me approaching Abby with purpose.
A man I don’t remember but seems familiar moves in front of Abby. “Hey now,” he says. At the same time another man dressed in a black suit and a cleric collar appears at my father’s elbow.
“Jack,” one of them says. I don’t know which. “You’re hurting.”
The words break a dam. My father folds in on himself, shrinks as though the impending storm is cut up by a downdraft. The other two men help him to a seat near the window.
Shaken by what I’ve witnessed, I return to my body.
My mother is still there, holding my hand and humming a quiet lullaby through her tears:
When the traveler in the dark…
Thanks you for your tiny spark…
The world around me begins to spin, as though someone has swiped at a table-top globe. The room rotates on an axis and the colors rush together in a blur. I’m compressed and suffocating and though I work to focus on my mother’s song, I can’t find a focal point. This place where I’m in between isn’t freedom. It’s a trap, a prison, and I’m stuck.
Wake up! Wake up! I think. I squeeze myself shut attempting to disappear in order to reappear in the awake world. But nothing happens. The spinning slows. The space around me coming back into focus. I still hover in the room listening to the quiet hum of my mother’s voice who’s accompanied by the percussion of the life support.
With Valentines Day coming up, I thought it’d be fun to share some of the romance tropes that can be found in Ocean Heart, and possibly in Sky Heart. Warning: Lots of snogging Gifs!
Redfae Bookshop is my Affiliate Bookshop.org Shop Link. NB: This post contains these affiliate links…
Friends to Lovers
This is a favourite romance trope of mine because my husband and I started out as friends. For us it had a HEA, we have a beautiful home and two fabulous kids, and later this year we’ll be celebrating our 10 year wedding anniversary. But getting together wasn’t easy, and it risked our friendship if it didn’t work out.
In Ocean Heart, Mariah is crushing on her BFF. It starts off as an unrequited love, but during the novel they deal with first kisses, jealousy, and a break up. Can they rekindle their romance, save their friendship, or do they need to move on?
Enemies to Lovers
Sometimes I don’t like the trope because I don’t want them to get together. It depends on why they are enemies but, I made it work in Ocean Heart. Check out the reviews of Ocean Heart.
When Mariah beats swim star Murray in a race, he doesn’t handle losing well. After behaving like an idiot, he starts to take an interest in her but she’s not interested. She’s heard about his reputation.
This is the one where the bad boy falls in love and changes his ways. I’m a sucker for this one as a fantasy, but in real life not so much. Bad boys are bad news and rarely deliver a HEA.
Murray has an Instagram feed of all his conquests and he’s not ashamed to brag about it. It’s why he’s so protective over his sister Kiely. He knows guys only want one thing, until...
Love Triangle
Some people really hate this trope. Eek! But, not me. Throw in more hot guys, more romances, more complications, and I’m hooked turning the page.
There are technically two in Ocean Heart. First up, when Mariah realises she’s crushing on her BFF Jace, he already has a girlfriend, Kiely. Later, when Murray takes an interest in Mariah, he attempts to draw her attention away from Mariah.
This is where two people are meant to be together. It’s common in paranormal romances, where a wolf imprints on their mate.
Mariah is a mermaid. She doesn’t know it, but when she accidentally marks one of the guys as her mate for life, then they are bound.
Fake Relationship
People fake relationships in books often to raise their status, or to get a reaction from someone else. In Out Of My League the MC accepts the deal to save face at a party where she catches her boy friend cheating, and in The Practice Boyfriend the MC strikes a deal to gain access to the elite parties.
In Ocean Heart, Mariah agrees to a fake relationship. Both parties have different reasons but united on one goal; to end a romance.
As a teen I loved a book called Ginger’s First Kiss by Janet Quin-Harkin. It’s the first book in the Boyfriend Club series where a group of friends pact to help each other get their first kisses and Ginger realises she’s into her BFF’s brother. I got it free with a teen magazine at the time called BIG. Over the years I have lost the book and it is no longer in distribution.
Both Keily’s BFFs have brothers, and both are off limits. It’s a rule the girls made. A rule Kiely is tempted to break when one of them offers to help her get over her ex in a way nobody else can.
This trope is so exciting. There’s all the danger of getting caught, and whatever the stakes are.
It’s not just her friends that Keily needs to hide who she is seeing, it’s also her over protective big brother, Murray. And later, she must keep it hidden from someone more dangerous than she ever imagined.
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When I decided to self publish I knew I would need an editor. As much as I love writing and creating stories, English language was never my best subject at school.
I wasn’t the worst but I wasn’t top of the class either. Even if I’d been good at English I’d still need an editor, because people miss their own mistakes.
Once ready for an editor, I was over whelmed by how many different types of editors there are. For Ocean Heart, I used many rounds of Beta Readers, and two rounds of professional edits, and used a professional formatter.
The two terms are often used interchangeably as they are similar and it’s important to check what your editor means so you can ensure what you are paying for is what you expect.
CopyEdit: Unsually involves checking SPAG, readability, and clarity. They may highlight where it’s not flowing right.
Line Edit: Usually focuses on the content and use of language. They highlight inconsistent style, where pacing is too fast/slow, if you’ve overused a word (or repeating yourself).
If you can afford both, do it. Traditionally published books will have a copy edit, then a line edit. If you can’t afford both, don’t skip the copy edit. Your spellchecker is not enough.
How I chose my Copy Editor
Avery was at the top of my list as I’d already had such a good experience with her, but I did consider letting another pair of eyes run over my manuscript.
Budget: This was a big deciding factor. I had a limited budget and had to operate within my means.
Recommendation: Connecting with other indie authors gave me a good source of recommendations, many are listed in the World Indie Warriors brochure.
Expertise: All of them had experience as an editor. One was new, but had already built a portfolio and I’d attended a workshop she did which helped build trust. But, Avery was the only one that specialised in YA.
I went with Avery as she ticked all my boxes and was already familiar with my book. As she does writing workshops with teens, she also has a close relationship with my target audience.
My experience
I paid Avery for a copy edit. But, it definitely over lapped into a line edit. For example, she highlighted a scene where the emotional impact needed work, and another scene where my character came off rude towards her friend.
Through Avery’s comments I learnt a lot about my writing. Once I’d actioned her feedback, my novel was definitely better.
Unofficial Proofreader
I wish I could have afforded a line edit but my budget was maxed out. Avery didn’t get to see it again, as I went ahead with my next step – formatting. Once formatted, I sent it off to my ARC readers.
One of my ARC readers was author Cassidy Reyne. She did an unofficial proofread for me. I didn’t ask her to do it, she’s just sweet like that.
As I’d already paid Ingram to publish Ocean Heart (it was on preorder) there was a fee to amend the files. I paid it because I wanted my book to be as perfect as possible. I’m so thankful to Cassidy for letting me know.
For my next book, I will seek out Cassidy’s eagle eyes – if she has time. If not, I will consider getting a professional proofreader.
The first step to publishing a novel is often to write the first draft. This is the same whether you wish to traditionally or self publish. There are some exceptions to this rule.
If you’ve have an interesting story to tell from your real life or an expert in your field, a publisher or agent might reach out and request you write a book if there is a market in demand.
Some people prefer to hire a ghost writer to write for them. In this case you’re not the one physically writing your book and this post is not for you because today I’m covering writing the draft version.
Step 1 – Draft a Novel
Here is a handy info graphic of what I’m going to cover in this post.
You can save this to your Pinterest board.
Plan
If you’re writing a full length novel it’s useful to start with a plan. I don’t consider myself a plotter but I still write an outline. It helps me get from A to B, and a few check points along the way.
Some writers want a more detailed plan. They might want to design their characters, do some Worldbuilding and draw maps, or even need to research information.
Write
This is obviously the most important part. If you don’t write the book there won’t be a book. However, don’t get hung up on making it perfect. You will not publish your first draft – in fact nobody has to see that monstrosity if you don’t want them to.
Writing a novel is a big task. It can help to break it down into smaller more manageable tasks. Many writers find it useful to set word count goals. Writing sprints can be useful to focus time on writing in quick bursts.
Some writers edit as they write – this does slow the process down but afterwards your manuscript is in a better shape. Other writers spew the words onto the page and tidy up the mess afterwards.
It doesn’t matter how you do it but you’ll want to give it an edit before letting anyone else read it. It’s easy to make mistakes whilst you are in the moment.
You don’t need to limit the number of self edits. Edit it as many times as you need to. Some people break the task into different focusses. For example, you might do a read through and look for inconsistencies, or focus on SPAG, or receptiveness, or pacing.
Not everybody uses an Alpha. They are often someone you are close to and you show them an early draft to get feedback. Sometimes Alphas are used before a book is finished to assess whether the story has any merit before investing a load of time in it.
Self Edit
Whenever you get feedback on your book you should reflect on it. Did your Alpha share some ideas to help you improve your book?
Don’t worry if they didn’t. Many Alphas are already your personal cheerleaders (like your spouse, mum, best friend, etc). They might not have the skills to critique but when you’re battling self doubt, they are the ones picking you up and cheering you on.
They may also have raised issues or ideas you hadn’t thought about. Often when trying to get someone to understand your idea, you discover the plot holes or where things aren’t clear enough.
Beta Readers
These people read a draft you’ve worked on improving. You can even find paid Betas who have skills to highlight where you can improve your novel further.
Here is a post that compares Beta and ARC readers (and touches on Alpha readers).
Self Edit
Yes! You will get feedback from your Betas on how to improve your book. It’s best to have a few Betas and they may even have conflicting views. Allow yourself time to reflect on their advice.
Remember it is your novel at the end of the day and if their ideas are changing the vision you had, you don’t have to apply them. However, if several readers pointed out the same thing, they most likely have a point you should pay attention to.
You may even want to ask your Betas questions. For example, is this sex scene too much for teen readers? Um… yes, I’m working on a story where my Betas will be asked this. ?
Get a Professional Edit…
The next post in my series is about getting your manuscript professionally edited…
Thank you so much to all the authors that took the time to answer questions on making of their books. I learnt so much through your different journeys, the struggles you overcame, your best tips, and discovering more about you and your book.
The book that started this all off was Number Eight Crispy Chicken by Sarah Neofield. I was part of her Street Team for the books launch and interviewed her as my stop on the book’s blog tour.
I learnt so much from Sarah Neofield and it helped me in my decision to self publishing. The “Behind the Book” blog post turned into a series.
By the end of 2020, I had conducted a total of 18 interviews! I have put them all here in this post for your enjoyment. So, make yourself comfortable and get reading!
The last Behind the Book interview for 2020 was part of R. J. Blaine’s Blog Tour for her book’s release. It was organised by Xpresso Tours and they created the blog banner.
If you enjoyed this, look out for more Behind the Book interviews in 2021, and my review for some of these books.
This year, I’ve really struggled with creating my goals. The problem is there’s so much I want to do but where to start?
I know if I have too many plates spinning, they’ll all crash. As I’m writing this it’s January 1st and I’m finally choosing my goals after agonizing over them for two weeks. And… I may still tweak them before this post goes live.
Personal
Skincare routine: Over the years, I’ve tried loads countless products and I’m constantly changing my routine. During 2021, I plan to finalise my skincare products which I think will benefit my skin.
I hate waste so I need to use up products I already have, and it also depends on money too. I’ve already decided on the products and look forward to sharing these with you as I buy them.
Visit Hollowtree Farm: Fear of the virus and lockdowns reduced the number of places we visited. We even had a gift voucher for a fun day at the farm and never got to go. They’ve said it doesn’t expire so this is a priority for 2021!
Selfcare: I never have time to indulge in things like doing my nails or a face mask. So, I’m planning to reward myself with products to support this when I hit my other goals.
Writing
Sky Heart: This is the BIG one. I want to finish book 2 in the Soul Heart series. But… there are many steps to a published book so this will likely take me all year.
Publishing a Novel To Do List
For accountability, I’m going to tweet my progress every Sunday.
Novella1: I’m working on two novella’s but I want to finish “Denny’s story” first. I’m thinking of using it as a readers magnet.
Novella2: This project will be on standby and only worked on if I’m waiting on stuff for the other writing projects. This is ”Luna’s story”. I’m still working on the titles of my novellas.
Ocean Heart: I have ideas to do something special in Mer-May. But, I can’t say more until I’ve figured out the details.
Reading
10 Books: Yes, it sounds low but when I’m busy on a writing project I only read a chapter or two a night making my progress very slow. 2020 I only just hit my goal of 12 books. ?
I do only record fiction books but I also read a few non-fiction books on writing. I’m hoping to review these on my YouTube channel this year, as well as other bookish content.
I will keep posting my reviews to my blog, Goodreads, Amazon, Book Bub, Litsy, if able to. I will track my reading goal on Goodreads.
Goodreads/Litsy/Book Bub/Book Sniffer: I’ve used Goodreads for a few years but never been very active. I hope to improve that and get better at using the other reading social apps. Which brings me on nicely to my next goal…
Social Media
Website update: I’m going to quarterly review my website content to check it is up to date. And, update during that month.
Shop: Okay, it’s not social media but it is connected to my website. I’m trying to create a shop on my website but struggling. I will master it! I mastered moving my website during my book launch.
Trial Canva Pro: I love Canva and been tempted to pay for the pro version. But now there’s a scheduled too. It would be incredible to have everything in one place.
I bought Planoly during my book launch so I could schedule videos and carousels on IG. There’s been a few occasions it hasn’t posted, so I’m tempted to try other schedulers.
Consistently Post: This went really well this year for my blog and Instagram. I want to continue it and add YouTube and Twitter to my goals.
Blog: Mon, & Thurs
IG: Mon, Weds, & Fri
YT: Tue (fortnightly)
Twitter: Sun
Newsletter: end of month (was every other month)
Followers/Reviews: I’ve seen people track their followers growth. I’ve never done this but it’s a good idea. I will aim for a 20% increase over all platforms.
2021 Followers Count
I’d love to reach 10k on Instagram as it opens up certain features but it feels still too far out of reach. Until I worked out what 20% was, I was thinking of aiming for 5k by June. I think 4687 is more realistic and although social media helps with marketing my passion is writing.
My Facebook page has been around longer than my group. The Soul Heart Readers group was created in October to help with Ocean Heart’s release. I’m hoping members will stick around for Sky Heart – I’ll need BETA and ARC readers later this year.
I use Parler the same way I use Twitter, and really like the platform. My numbers grew fast when I first joined but has now slowed down. It’ll be interesting to see which of the two platforms has more growth in 2021.
My YouTube channel is very new, I’m not sure how fast it will grow. I’ll also be posting to Odysee to try out the new platform – I’ve not used it yet. Over the Christmas break, I created a new Intro & Outro which I’m looking forward to using.
Reviews: I have a page on my website where I’ve collected my favourite reviews of Ocean Heart, and directed readers to where the original can be found.
Reviews are really important for a books visibility, so I will be tracking how many I have and – eek – remind my readers to leave reviews.
January Goals
Listing my goals for only this month looks like a lot. Eek ?
Personal
Record unboxing of Naturismo box (then start using products)
Writing
Sky Heart: Write 5k per week – track progress on Google sheet. Share progress on Twitter/Parler for accountability
Reading
Set annual reading goal on Goodreads
Finish reading Cinderella is Dead (paperback) – track progress on Goodreads
Finish reading Winter Trials (eBook) – track progress on Goodreads
Social Media
Update website content
Add shop to website
Blog & IG: Create January content & make a start on February content (aim to always be two weeks ahead)
Record, edit, schedule two YouTube/Odysee videos
Try out Canva pro – if scheduler is good, cancel Planoly
Spoiler alter! I didn’t reach 50k. I knew I wouldn’t because November is a busy month, mainly with birthdays galore, but add to that everything that goes with launching a book and it’s pretty impressive I wrote anything.
Maybe I should have passed this year’s NaNo but I just can’t help myself. I love the NaNo community.
Planning
The goal for NaNoWriMo is to write 50k words in 30 days. This works out to roughly 1,667 words per day.
But, what if you can’t write every day. What if you know on certain days it will be near impossible to write? And, 30 days is a long month if never allow yourself a single break.
I made a calendar in Excel and put Y or N depending on if I could write or not. I think counted the Y, and worked out I could write on 18 days of the month. This meant on my writing days, I needed to achieve 2778 words.
How It Went…
Week 1, went well. I had planned for a day off for for going live with Holly but joined a World Indie Warriors writing sprint afterwards. I also planned a day off for my birthday but decided to celebrate by writing This put me ahead of target. I needed to hit 13,890 words and had 16,306 words.
Week 2, I allowed one day off for my son’s birthday so it didn’t impact my goal. But, I also skipped two planned writing days, and that put me behind. I needed to hit 30,558, but I only had 26,725. This is why in my mid point check in I said I was behind, even though I had more words than NaNo participants that were on target, because I knew I had less days than them to write.
Week 3, was not good. I had planned a day off for going live with Nicola. But, I agreed to an unplanned live with Lyndell. Then, I decided to sell my house and had to tidy up (everywhere) for the Estate Agent (and then we decided not to sell). Then our boiler broke and spent a whole evening trying to create a bath warm & deep enough to bathe. This resulted in my not writing on four days I planned to – not good. I needed to hit 47,226 words, and I had only reached 31,473 words.
Week 4, was getting close to my release date and I wanted to give it my full attention. I only planned to write on one day and I did. This week involved pre-recording a radio interview. I also attempted to migrate my website myself from one server to another, and transfer my domain to the new location. It wasn’t smooth sailing. I also attended a full online writing festival, Indie Fire. I needed to reach 50,000 words but only had 38,643. I could have written some evenings but I didn’t want to burn out.
Week 5, is just the last two days of the month.
Was It A Success?
I didn’t get 50k words, so I failed NaNoWriMo. But…
My big goal for this year was to publish Ocean Heart, and I wasn’t going to let NaNo ruin that. If NaNo had distracted me from my launch then it would have been an epic fail.
When I set out to do NaNo this year, I just wanted to get back into Sky Heart. I achieved that. To me, personally, that makes this NaNo a success.
What’s Next?
I’m going to enjoy my book release week as I need to recharge and revel in this long awaited moment.
I will continuing working on finishing Sky Heart, book 2 in The Soul Heart Series. I’m hoping the first draft will be ready for Betas by the end of January.
Book 2 in The Soul Heart Series
I’ve created a work in progress cover, to visualise achieving my goal. Do you like it?
I’m also working on two Novellas. I’m hoping with these being shorter they’ll be quicker to get out & help with the wait for Sky Heart. I’ll announce those once I have a title.
All Author Cover Contest
Ocean Heart is currently entered in the All Author December 2020 Cover Contest. If you like the cover of Ocean Heart please vote for it.
The last Behind the Book interview for 2020 was part of R. J. Blaine’s Blog Tour for her book’s release. It was organised by Xpresso Tours and they created the blog banner.
